Opened in Paris in October 1889, and still in operation today as a cabaret venue, with its Can Can Spectacular Spectacular! It’s made to be over the top, and still is. Even an elephant dressing room, a blue elephant!
Then Baz Luhrmann, an Australian filmmaker, decided to become its movie director, and the film was out in May 2001, in the USA, w big stars in the lead roles, Ewan McGregor and Nicole Kidman, star crossed lovers, because she has sold herself to a rich Duke, who keeps the cabaret afloat financially. He wants power 4 his $, and he gets that, and so much more. Satine, the lead chanteuse of the Moulin Rouge, who dances, strips, and lays her life down, and even her very safety forfeit, plus that of anyone in her love sphere as well…because the Duke, Your Grace, is an incubus incarnate, intent on having everything, every ounce of Satine…or else she will be disfigured by acid thrown in face and her lover exsanguinated by garrote! That means his throat cut ear to ear, in front of her! Such horror. He is an evil man, and Satine is owned by him, because she is a prostitute back then. Such were opportunities 4 women’s careers in 19th century France. Les Miserables indeed.
So she takes up her cross and dances and more 4 the Duke, hoping he doesn’t grow bored or worse, finds out he has been cuckolded by virtue of her true love w Christian, with whom she has a true love affair of the heart. She is forced to denounce Christian and break his heart, in order to save his life, from the merciless Duke.
And the backdrop is interwoven popular songs, in both the movie of 2001, and also the Broadway show, of 2019…but the songs differ, due to the time lag between productions. And they show u that love is suffering, and pain, as well as glory and the greatest thing u spend time on in this life! And circumstances, the backdrop, gets in the way, making true love impossible, yet again! Ugh. Only stolen furtive kisses, life risks, gossip mongers, spewing lies, and truths too, when they r lascivious, and others have 2 pay the price. And others face homelessness and starvation if the Moulin Rouge closes, through no fault of their own. Is that just? It all rides on these 3 people, and a mountainous debt that the club owner owes, that make it such that u r on a precipice, teetering. And the music plays on, and the dancers dance, and we sing, and other audience members object, because we really can’t sing….even tho we do, and the hell w them! It’s our show too, and we paid 4 our seats! Why can’t we enjoy it as we want 2??!!
And the maitre d’ comes to us post intermission, 2 tell us not to sing! Such nerve! That some patrons complained…and they r foreign tourists as well. Tell them 2 go back 2 their country, and stfu! (shut the fuck up!) Even tho we know we shouldn’t sing, we wanted 2….and we moved in time w the music of our lives, and we felt every lyric as if it had been written 4 us, the lonely hearts…who want other loves ourselves, but we can’t have them anymore. They have moved on 2 other loves, not us…alas. And so, Satine’s tragedy is ours too. Quickly snatched love bites, and then no more, left unsatisfied, because of the whole backdrop that does not permit true love to thrive. Satine is owned by the one who owns the whole Moulin Rouge, the Duke. And that is us too, waiting 4 the grave to consume us, b4 we get our life back. Our love is real and never fulfilled. Such an epitaph it is…